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typewriter in production was using some imitation of the Underwood No. 5 design. The production of the Underwood Models 3, 4, and 5 lasted until early 1932. The differences among the three models are subtle: The No. 3 is a wide-carriage machine, the No. 4 types 76 characters, and the No. 5 types 84 characters. The No. 5 was the quintessential Underwood. Millions of these machines were used by secretaries, journalists, government officials, and writers throughout the first half of the twentieth century. The classic desktop. (Source: mytypewriter.com)













Tomorrow we leave for Costa Rica. Goodbye city. Goodbye office. Goodbye schedules. Hello beach, relaxation, flip-flops and Andrew is really hoping for some monkeys! We are so looking forward to this time to soak in the sun (albeit through layers of sunscreen) and officially celebrate our marriage with a honeymoon. We'll do our best to promptly post some pictures once we return. Have a great week!
Last night, thanks to my parents, we went downtown to see The Color Purple. It was a great production with wonderful music and an inspiring story. I remember seeing the movie a number of years ago, and it was interesting to gain a new perspective of the story through a different medium. The movie is memorable to me; there are distinct scenes I will not forget. I remember feeling a sense of triumph when the movie was over, a sense of admiration for what people can endure. The musical provoked the same response in me, but there is nothing like music to add an emotional and cathartic element. I've always thoroughly enjoyed musicals and I consistently find myself lost in the world unfolding on the stage in front of me.
The Color Purple presents a story without any judgments. It is a statement of a woman who finds beauty and worth within herself despite a life of struggle, submission and abandonment. The story very well could (and would have a right to) focus on the struggle of blacks to succeed in a world of whites, but instead it chooses to focus on humanity's struggle to succeed in a world of sin and brokenness. And, thankfully, there is a happy ending. There is restoration. There is reconciliation.
I am approaching the conclusion of The Fountainhead, much to my disappointment. Perhaps what has caused me to take so long to finish this book is a subconscious desire to keep these characters alive as long as possible. I feel like I know them; I guess I do know them. They have become part of my world, my perspective. They have become a point of reference in deciphering the complexities of humankind and its role in society.
character, and for many of the reasons purported by Ayn Rand's philosophy. Instead of denouncing Howard for his egoism, uncompromising standards and unwillingness to cooperate conventionally, you find yourself cheering him on. He represents something noble. I am still reconciling these opposing concepts myself. The closest I have come is recognizing that society can, at times, benefit from individual selfishness. For example, during a monstrous Chicago snowstorm, do you think the snow plowers get up in the middle of the night for my benefit? Do you think they're thinking about my day and my need to be able to drive to work the next morning? No. They plow the roads because it's their job and they are working for their paycheck, to support themselves, for their own sake. But I benefit.